Solid
Undyed ivory and naturally-dyed colourways — the purest expression of the Chyangra fibre, soft and featherlight.
From the high Changthang plateau to a single thread — and finally to your shoulders. Four centuries of Kashmiri craft, carried into every shawl we make.
We bring you the wool of the Chyangra goat — spun by hand, dyed in small batches, and woven line by line on pit-looms in Srinagar.
Four centuries of Kashmiri craft, carried into a single shawl. Discover the featherlight warmth of undyed ivory pashmina, the deep ridzine of sozni-embroidered borders, the slow gradient of dip-dyed ombré, and the museum-grade patience of Kani-woven cloth.
Each shawl is numbered and signed by the weaver who made it. Every piece carries a story — of the plateau, the weaver, and the patient hours at the loom.
To keep the Kashmiri pashmina tradition alive — pairing centuries-old weaving with contemporary finish, paying fair wages to weaving families, and ensuring every shawl is something worth handing down.
Wool combed each spring from Chyangra goats on the Changthang plateau, carried down into the valley of Kashmir — never shorn, always by hand.
Spun on a yinder, dyed in small batches, and woven line by line on a pit-loom — no machine ever touches the cloth from fleece to finish.
Direct partnerships with weaving families in Srinagar — fair wages, no middlemen, and a craft kept alive for the next generation of artisans.
To offer ethically woven pashmina — undyed solids, sozni-embroidered, dip-dyed ombré, and Kani-woven — each made on a pit-loom in Srinagar and signed by the weaver who made it.
A pashmina is not bought. It is inherited, gifted, or earned — and it never stops being warm.— A weaver's saying, Srinagar
Four techniques, each passed down through Kashmiri families for centuries — every method a study in patience.
Undyed ivory and naturally-dyed colourways — the purest expression of the Chyangra fibre, soft and featherlight.
Dip-dyed gradients simmered by hand from walnut, saffron and madder — deep, fade-resistant transitions.
Sozni needlework so fine it's often worked from the reverse side — invisible in its own stitching.
Patterns built entirely on the loom using small wooden spools — a single shawl can take weeks to weave.
Every thread carries the patience of the weaver — and the warmth of the mountain.
The Pashmina Story